Matt Murdock (
aworldonfire) wrote2015-12-05 03:01 pm
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rp | all the hurt that brought me here
It's a miracle, he thinks, that he got away from Nobu, from Fisk. It's a miracle that he made it back to his apartment, as beaten as he is. It's a miracle, but singing the praises of God doesn't follow him much past the door, not because he doesn't want to but because, while he's still alive, still fighting, he's rapidly devolving into hysterical thought thanks to the blood loss, and what he's stricken by, standing in the doorway of the rooftop access, is that he remembers what red looks like, would swear he could see it.
It's in the taste of his own blood in his mouth, after all, the wash of pain in his stomach and chest that rushes over him whenever he draws breath, the smell of metal (not his own, not copper, so much blood, oh, God), clinging to his wounds, where he was stabbed again and again and again. It all permeates as much as Clint's cover's body spray did, the red, making it hard to think, hard to see beyond his absent sight, and he takes a drunken step forward, presses his fingers to the wall that runs alongside the steps that come down into his apartment, hoping it will help, praying for a touchstone. He makes it down a handful of stairs, something like wild optimism rising in his chest, alongside the pain (he can make it, if he can just make it to the phone, make it to Claire), before it all goes to hell.
His foot catches on something, something likely broken by him, by Stick, less than a handful of days ago, and he trips. He hits the remaining steps face-first, so fast it takes him a moment to register what just happened, to grunt, no more winded that he already was (is his lung punctured? he can't tell. it hurts. father forgive him -- both of them), and try to sit up. All he manages is to slide the rest of the way down the steps to the ground and for black to join the red, a memory of tunnel vision closing in on the edges of his mind's eye, as what little he can get from his other senses slips, stutters, unconsciousness creeping up on him. He doesn't try to get up again, after that, just lays there, panting. He doesn't even hear the door opening again above him, practically miles away.
He doesn't know how many minutes pass, him laying there, but eventually and what seems to him suddenly, something occurs to him. He shifts again, not trying to get up this time but to press his shaking fingers to the comm at his ear, always worn, just in case, but rarely used outside of his team ups with Clint and Natasha. It takes him three tries to actually get there, actually find his ear, and when he manages, it takes a moment more of false starts to fight past the black and find the breath for his words. It never occurs to him to think that the Avengers, if they're listening, already know what's going on, if only to a certain degree, that the comms are always transmitting, always receiving, that help may already be on the way.
"Little -- little help here?" he chokes out. "I need help. Please."
The red and black catch up to him, after that, as relentless as he's ever been in the same colors, and he slips into something like twilight.
It's in the taste of his own blood in his mouth, after all, the wash of pain in his stomach and chest that rushes over him whenever he draws breath, the smell of metal (not his own, not copper, so much blood, oh, God), clinging to his wounds, where he was stabbed again and again and again. It all permeates as much as Clint's cover's body spray did, the red, making it hard to think, hard to see beyond his absent sight, and he takes a drunken step forward, presses his fingers to the wall that runs alongside the steps that come down into his apartment, hoping it will help, praying for a touchstone. He makes it down a handful of stairs, something like wild optimism rising in his chest, alongside the pain (he can make it, if he can just make it to the phone, make it to Claire), before it all goes to hell.
His foot catches on something, something likely broken by him, by Stick, less than a handful of days ago, and he trips. He hits the remaining steps face-first, so fast it takes him a moment to register what just happened, to grunt, no more winded that he already was (is his lung punctured? he can't tell. it hurts. father forgive him -- both of them), and try to sit up. All he manages is to slide the rest of the way down the steps to the ground and for black to join the red, a memory of tunnel vision closing in on the edges of his mind's eye, as what little he can get from his other senses slips, stutters, unconsciousness creeping up on him. He doesn't try to get up again, after that, just lays there, panting. He doesn't even hear the door opening again above him, practically miles away.
He doesn't know how many minutes pass, him laying there, but eventually and what seems to him suddenly, something occurs to him. He shifts again, not trying to get up this time but to press his shaking fingers to the comm at his ear, always worn, just in case, but rarely used outside of his team ups with Clint and Natasha. It takes him three tries to actually get there, actually find his ear, and when he manages, it takes a moment more of false starts to fight past the black and find the breath for his words. It never occurs to him to think that the Avengers, if they're listening, already know what's going on, if only to a certain degree, that the comms are always transmitting, always receiving, that help may already be on the way.
"Little -- little help here?" he chokes out. "I need help. Please."
The red and black catch up to him, after that, as relentless as he's ever been in the same colors, and he slips into something like twilight.
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He might not be dealing with the same side of the crisis as Matt - he was more worried about whether or not he really knew him or not than losing him in anything beyond the injuries being more than Bruce could fix - but it is a relief that Matt looks so much less death-like than he did last night, that he's actually in a shape to joke around instead of barely stringing together a sentence.
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"Anything fast or loud is still kind of ... " It's reflex to respond, especially now, doing what he does with his nights, when fast and loud usually equates to some asshole with a gun taking shots at him. Thankfully, he has the discipline to clamp down on what's become muscle memory, in the former case, and in the latter, well. He can at least get away with reacting to that.
"But -- thanks," he finishes, finally.
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"And, uh. Speaking of superheroes." He pauses a beat. "'Daredevil'?" Because yes, he heard Steve say it on the way in, even if he did it quietly.
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He shrugs. "Eventually, we decided on Daredevil, for my codename."
And if he looks a little hopeful, afterwards? Tell him that's not a stupid codename, Foggy, please?
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He approves, yes.
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Because seriously. Other than wanting to punch the guy in the face, that was the second thought Foggy'd had about the vigilante.
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He won't mind sitting through a few puns, if Foggy wants to throw them at him. Really, it'll be the least terrible thing he's had to endure, these past few days.
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You deserve bad puns, Matt. All of them.
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He pauses and then, more seriously, asks, "Where'd you get the get-up, speaking of ninjas."
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The smile goes with it in measures, a heartbeat later, and at the question. Not that he's bothered by it, it's more, well -- a serious question deserves a serious expression. A shrug, too, apparently, if the one that follows is any indication.
"The internet, mostly." A beat. "Stark redid a couple of the pieces for me, though -- the cowl, the sticks I carry around. I guess he was worried I'd already taken too many blows to the head, considering."
Considering he'd climbed an elevator shaft, the first time he'd met them. That's totally why Tony made him a new cowl. Yep. It has nothing to do with the fact that he was probably worried Matt was going to get shot in the head, one of these days, and that nylon wouldn't do jack, in that case.
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"I could have told you about the blows to the head," he returns, and okay, maybe not so serious. "You really thought this all through, though, didn't you?"
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Going from a strap of cloth wrapped over his eyes to a full head cover to the cowl. Going from the aforementioned wooden dowels to polycarbonate batons. The next step, he thinks, might be to swallow his pride and ask Stark if he can make him a real suit -- and for more than just Foggy's peace of mind. He really doesn't want a repeat of what happened last night any time soon.
"I really wasn't planning on ... "
Going after anything bigger than drunks that liked to beat their wives and purse snatchers is where he's headed with that. He stops if only because, as much as he wasn't expecting all of this, in hindsight, it seems sort of inevitable. Like he told Foggy, last night, he couldn't in good conscience let what's been happening around the Kitchen keep happening. Eventually, whether he liked it or not, he would have ended up on the Russians, on Fisk, all the same. He wonders if that's proof of God's supposed plan for everyone.
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"I already knew you could adapt." Matt had to know Foggy had already respected what he could do despite being blind, even without knowing just how he was doing it all. "Not the super sense thing, but. It's... relative, or something. I assume you're a blind guy who's really good at navigating a world really not made for blind guys, and you've actually taken it all to a whole different level."
And he really hopes that makes sense out of his own head, because he's not entirely sure it does, but he's also not sure how to word it better. He was surprised, obviously, but. Maybe he shouldn't have been. Maybe he should have known this was something Matt would do.
And yes, he would appreciate if he got extra protection to keep someone making swiss cheese from him again. He was already worried about Matt walking into traffic or getting hit by a falling piano or something; now he has to be worried about evil ninjas.
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He shakes his head, letting it go there. Silence follows as he's not really sure what to say, beyond it. He thinks that suggesting that Foggy might know him better than he knows himself, sometimes, might feel like a slap in the face, all things considered, even if it would be something he meant honestly, after all.
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Because he feels like that's something Matt will do, and he might actually kill someone himself if something else happens and he has to find out after the fact.
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"If something happens ... " If he gets arrested, if he gets killed, he doesn't want Foggy to be left holding the bag.
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