Matt Murdock (
aworldonfire) wrote2015-12-05 03:01 pm
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rp | all the hurt that brought me here
It's a miracle, he thinks, that he got away from Nobu, from Fisk. It's a miracle that he made it back to his apartment, as beaten as he is. It's a miracle, but singing the praises of God doesn't follow him much past the door, not because he doesn't want to but because, while he's still alive, still fighting, he's rapidly devolving into hysterical thought thanks to the blood loss, and what he's stricken by, standing in the doorway of the rooftop access, is that he remembers what red looks like, would swear he could see it.
It's in the taste of his own blood in his mouth, after all, the wash of pain in his stomach and chest that rushes over him whenever he draws breath, the smell of metal (not his own, not copper, so much blood, oh, God), clinging to his wounds, where he was stabbed again and again and again. It all permeates as much as Clint's cover's body spray did, the red, making it hard to think, hard to see beyond his absent sight, and he takes a drunken step forward, presses his fingers to the wall that runs alongside the steps that come down into his apartment, hoping it will help, praying for a touchstone. He makes it down a handful of stairs, something like wild optimism rising in his chest, alongside the pain (he can make it, if he can just make it to the phone, make it to Claire), before it all goes to hell.
His foot catches on something, something likely broken by him, by Stick, less than a handful of days ago, and he trips. He hits the remaining steps face-first, so fast it takes him a moment to register what just happened, to grunt, no more winded that he already was (is his lung punctured? he can't tell. it hurts. father forgive him -- both of them), and try to sit up. All he manages is to slide the rest of the way down the steps to the ground and for black to join the red, a memory of tunnel vision closing in on the edges of his mind's eye, as what little he can get from his other senses slips, stutters, unconsciousness creeping up on him. He doesn't try to get up again, after that, just lays there, panting. He doesn't even hear the door opening again above him, practically miles away.
He doesn't know how many minutes pass, him laying there, but eventually and what seems to him suddenly, something occurs to him. He shifts again, not trying to get up this time but to press his shaking fingers to the comm at his ear, always worn, just in case, but rarely used outside of his team ups with Clint and Natasha. It takes him three tries to actually get there, actually find his ear, and when he manages, it takes a moment more of false starts to fight past the black and find the breath for his words. It never occurs to him to think that the Avengers, if they're listening, already know what's going on, if only to a certain degree, that the comms are always transmitting, always receiving, that help may already be on the way.
"Little -- little help here?" he chokes out. "I need help. Please."
The red and black catch up to him, after that, as relentless as he's ever been in the same colors, and he slips into something like twilight.
It's in the taste of his own blood in his mouth, after all, the wash of pain in his stomach and chest that rushes over him whenever he draws breath, the smell of metal (not his own, not copper, so much blood, oh, God), clinging to his wounds, where he was stabbed again and again and again. It all permeates as much as Clint's cover's body spray did, the red, making it hard to think, hard to see beyond his absent sight, and he takes a drunken step forward, presses his fingers to the wall that runs alongside the steps that come down into his apartment, hoping it will help, praying for a touchstone. He makes it down a handful of stairs, something like wild optimism rising in his chest, alongside the pain (he can make it, if he can just make it to the phone, make it to Claire), before it all goes to hell.
His foot catches on something, something likely broken by him, by Stick, less than a handful of days ago, and he trips. He hits the remaining steps face-first, so fast it takes him a moment to register what just happened, to grunt, no more winded that he already was (is his lung punctured? he can't tell. it hurts. father forgive him -- both of them), and try to sit up. All he manages is to slide the rest of the way down the steps to the ground and for black to join the red, a memory of tunnel vision closing in on the edges of his mind's eye, as what little he can get from his other senses slips, stutters, unconsciousness creeping up on him. He doesn't try to get up again, after that, just lays there, panting. He doesn't even hear the door opening again above him, practically miles away.
He doesn't know how many minutes pass, him laying there, but eventually and what seems to him suddenly, something occurs to him. He shifts again, not trying to get up this time but to press his shaking fingers to the comm at his ear, always worn, just in case, but rarely used outside of his team ups with Clint and Natasha. It takes him three tries to actually get there, actually find his ear, and when he manages, it takes a moment more of false starts to fight past the black and find the breath for his words. It never occurs to him to think that the Avengers, if they're listening, already know what's going on, if only to a certain degree, that the comms are always transmitting, always receiving, that help may already be on the way.
"Little -- little help here?" he chokes out. "I need help. Please."
The red and black catch up to him, after that, as relentless as he's ever been in the same colors, and he slips into something like twilight.
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He's losing ground on Fisk, giving him time to settle, to reorient. He can't have that. He can't let him get away. He needs to be out there, tracking the man running Fisk's heroin trade, shutting that down, pushing him back into the corner he so obviously was managing before if he'd felt the need to throw another ninja at him. He needs -- to let it go, if only for now. Foggy, he --
He shakes his head, lets out a breath, and takes another sip of his water. He takes a moment to reorient himself, and when he manages, he simply repeats, "I need to get back out there," calmer, now.
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Just because he understands doesn't mean he likes it.
"I know you do, and I know you're as careful as you can be, and I know Stark's suit and his AI will help, but." He won't say again to be careful, but it's implied.
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Rather than explain that, he's silent for a long moment, and then decides to change the subject, however minutely. "You and Karen still planning on coming at him from the other angle?" The legal one.
Matt wouldn't fault him, if he decided to give it up, knowing now that it's handled and who by, but he's not holding his breath. Seems like they both have things they don't like the other being involved in.
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He pauses a beat and then adds, teasing, "But we'll follow the rules, don't worry."
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"Just -- keep an eye on her," he tells him, instead. "Let's make that -- what number are we on? Three?" He shakes his head. He can't exactly remember, but it doesn't matter.
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"Speaking of," he starts after a long moment, a sip of water, and that in mind, "if I don't answer my phone, tomorrow, don't -- don't freak out, alright? I'm not planning on doing anything stupid."
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He's not entirely serious, though, he's really just protesting too much because it's what he does. Matt would have gotten that answer if he'd said something like that to him before he knew about the vigilante-ism.
And yes, that's a word.
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"I think my priest might be offended." That, without realizing it, Foggy has just called going to church stupid. "I was planning on going and taking confession."
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He pauses a beat before adding, apologetically again, "I also promise not to always ask you for a play-by-play of where you're going." Because he realizes he just did that, and he didn't really mean to.
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He shrugs, pausing a beat, longer, and then starts, "I know you're not really one for the whole church thing, but if you ever feel like this is getting to be too much -- " He makes a wide, vague gesture, indicating his own life and what Foggy knows of it now. " -- the priest I've been seeing? He's -- he figured it out, Foggy."
He hates having to admit that, to tell Foggy all but outright that he wasn't the first to know (Claire, notwithstanding, since she'd found him unconscious), but offering Foggy the outlet is more important, right now. If he ever feels like he needs to talk to someone outside of all of this, he can find Father Lantom.
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And he means that, too. He's not sure what else to say about it, because he's not sure it won't get to the point that he needs to talk about it, but. He hasn't been to church in a while that he wasn't going with Matt or some other family. He'd have to talk himself into it.
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His priest's name, obviously.
He'd continue on from there, tell Foggy that he'd probably like him for how much of Matt's crap he doesn't take, but he gets that religion is a weird subject for Foggy. It's okay if he goes to church; it's stranger, Matt knows, to consider himself there.
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He nods. "I think you had? The name's familiar, anyway."
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"It might have come up." Again, he can't remember.
"I'm not -- " Completely unaffected by the things he does. Not by a long shot. He's not sure he wants to directly get into that, right now, however, regardless of how much of a relief Foggy may or may not find it, which is why he pauses. And why he tries a slightly different track, when he starts again. "I met him after all this started."
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It would be a relief for Foggy to know Matt's not unaffected by this - but he also wouldn't be surprised to hear that. As much as he worried that he might not know as much about Matt as he thought he did, the point stands that he does know Matt, and he knows how deep Matt's sense of justice runs.
Someday, he might admit that he realized later he shouldn't have been surprised that Matt had taken this to the level he has - if the whole "super senses" thing had ever occurred to him.
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He shrugs.
"He didn't understand how, but." But he'd figured it out.
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"I'm still I completely understand how," Foggy admits, so yeah, he gets how Father Lantom might not, either.
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If it did, there would be blind vigilantes running around everywhere. Never mind the fact that Clint's in the same line of work and he's hearing impaired. That's different. As far as he's aware, there's nothing borderline supernatural about him, about what he does. He's just had years of practice, training to be a damn good shot. Stick also doesn't count.
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And yes, that's putting it mildly.
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Like his latest moral crisis.
"I owe him a better explanation, one of these days, but ... " Later. Maybe after everything with Fisk wraps up, if he's still breathing.
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"He might appreciate it." Foggy had, anyway - he doesn't mean to guilt Matt, though, and he adds, "I am glad you have him, though."
He means that, too - again, he knows how important the church is to Matt. He's glad Matt found a priest he could actually talk to.
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"After this is over," he promises, aloud now.
"And yeah, it's -- " He hesitates again, coming up against the same wall he did before, uncertain as to whether or not he should get into questions of morality. After a moment, he shakes his head faintly, pushes into it. If he's going to have to keep stopping, it's going to come up eventually, he figures. " -- it's nice to get a moral reality check, sometimes. For better or worse."
Whether that means being reminded that he's not the bad guy or being reminded that he could be, if he doesn't watch himself.
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