Matt Murdock (
aworldonfire) wrote2015-12-05 03:01 pm
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rp | all the hurt that brought me here
It's a miracle, he thinks, that he got away from Nobu, from Fisk. It's a miracle that he made it back to his apartment, as beaten as he is. It's a miracle, but singing the praises of God doesn't follow him much past the door, not because he doesn't want to but because, while he's still alive, still fighting, he's rapidly devolving into hysterical thought thanks to the blood loss, and what he's stricken by, standing in the doorway of the rooftop access, is that he remembers what red looks like, would swear he could see it.
It's in the taste of his own blood in his mouth, after all, the wash of pain in his stomach and chest that rushes over him whenever he draws breath, the smell of metal (not his own, not copper, so much blood, oh, God), clinging to his wounds, where he was stabbed again and again and again. It all permeates as much as Clint's cover's body spray did, the red, making it hard to think, hard to see beyond his absent sight, and he takes a drunken step forward, presses his fingers to the wall that runs alongside the steps that come down into his apartment, hoping it will help, praying for a touchstone. He makes it down a handful of stairs, something like wild optimism rising in his chest, alongside the pain (he can make it, if he can just make it to the phone, make it to Claire), before it all goes to hell.
His foot catches on something, something likely broken by him, by Stick, less than a handful of days ago, and he trips. He hits the remaining steps face-first, so fast it takes him a moment to register what just happened, to grunt, no more winded that he already was (is his lung punctured? he can't tell. it hurts. father forgive him -- both of them), and try to sit up. All he manages is to slide the rest of the way down the steps to the ground and for black to join the red, a memory of tunnel vision closing in on the edges of his mind's eye, as what little he can get from his other senses slips, stutters, unconsciousness creeping up on him. He doesn't try to get up again, after that, just lays there, panting. He doesn't even hear the door opening again above him, practically miles away.
He doesn't know how many minutes pass, him laying there, but eventually and what seems to him suddenly, something occurs to him. He shifts again, not trying to get up this time but to press his shaking fingers to the comm at his ear, always worn, just in case, but rarely used outside of his team ups with Clint and Natasha. It takes him three tries to actually get there, actually find his ear, and when he manages, it takes a moment more of false starts to fight past the black and find the breath for his words. It never occurs to him to think that the Avengers, if they're listening, already know what's going on, if only to a certain degree, that the comms are always transmitting, always receiving, that help may already be on the way.
"Little -- little help here?" he chokes out. "I need help. Please."
The red and black catch up to him, after that, as relentless as he's ever been in the same colors, and he slips into something like twilight.
It's in the taste of his own blood in his mouth, after all, the wash of pain in his stomach and chest that rushes over him whenever he draws breath, the smell of metal (not his own, not copper, so much blood, oh, God), clinging to his wounds, where he was stabbed again and again and again. It all permeates as much as Clint's cover's body spray did, the red, making it hard to think, hard to see beyond his absent sight, and he takes a drunken step forward, presses his fingers to the wall that runs alongside the steps that come down into his apartment, hoping it will help, praying for a touchstone. He makes it down a handful of stairs, something like wild optimism rising in his chest, alongside the pain (he can make it, if he can just make it to the phone, make it to Claire), before it all goes to hell.
His foot catches on something, something likely broken by him, by Stick, less than a handful of days ago, and he trips. He hits the remaining steps face-first, so fast it takes him a moment to register what just happened, to grunt, no more winded that he already was (is his lung punctured? he can't tell. it hurts. father forgive him -- both of them), and try to sit up. All he manages is to slide the rest of the way down the steps to the ground and for black to join the red, a memory of tunnel vision closing in on the edges of his mind's eye, as what little he can get from his other senses slips, stutters, unconsciousness creeping up on him. He doesn't try to get up again, after that, just lays there, panting. He doesn't even hear the door opening again above him, practically miles away.
He doesn't know how many minutes pass, him laying there, but eventually and what seems to him suddenly, something occurs to him. He shifts again, not trying to get up this time but to press his shaking fingers to the comm at his ear, always worn, just in case, but rarely used outside of his team ups with Clint and Natasha. It takes him three tries to actually get there, actually find his ear, and when he manages, it takes a moment more of false starts to fight past the black and find the breath for his words. It never occurs to him to think that the Avengers, if they're listening, already know what's going on, if only to a certain degree, that the comms are always transmitting, always receiving, that help may already be on the way.
"Little -- little help here?" he chokes out. "I need help. Please."
The red and black catch up to him, after that, as relentless as he's ever been in the same colors, and he slips into something like twilight.
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He can still feel it. He'll take it, though, if it means he still has some measure of focus.
"I'll live, though," he finishes with, that in mind. A beat, and then he adds, "And for more than just the pain. Like I told Barton, earlier, I kind of -- I heal fast."
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"I knew that." And he did. He's known every "accident" Matt had, every time he walked into a door or fell down stairs or all the other excuses Matt's given him for the black eyes and so on. "That's part of how the whole thing works, right? How you've been doing it without anybody finding out?"
Okay, well. He meant to work his way around to it, but apparently he's going to get into this conversation more quickly than he intended.
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"Sort of?" A pause. "You know how Buddhist monks meditate all the time? They learn to control their bodies, through that -- heart rate, blood flow, all of it."
Somehow, it was easier explaining this to Clint. Not that he thinks Foggy won't understand, isn't smart enough to get it (guy wouldn't have graduated cum laude if he wasn't, wouldn't have graduated summa cum laude, like him, if he'd toned down the partying a little), it's just -- this is different, somehow. If Clint hadn't followed, he wouldn't have minded, contenting himself to just shrugging it off, letting it go. Foggy, though? He wants him to understand.
"I learned to do that, too. The extra blood flow means wounds heal faster -- or that I can stop myself from bleeding out, if I need to." He pauses again, mostly so he can offer Foggy a wry smile. "In theory, anyway. Last night ... "
Last night, he's not sure he wouldn't have bled to death, if Foggy hadn't found him, if Steve and Bruce hadn't shown up.
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It doesn't last, though, as he picks up on what Matt didn't say. "Was bad. Yeah, I got that. What was I supposed to do if the damn Avengers hadn't shown up? I'm a lawyer, Matt, not any kind of doctor." And he's just going to flashback to the state Matt was in last night, because he's fairly likely to have nightmares about that.
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"That burner phone I've been carrying around?" You know, the one he completely forgot about, when he came in, last night? The one Foggy thought was for some girl he's been bedding? "There's only one number in it -- it's for a nurse. Her name's Claire. If you could have gotten me up for a few minutes ... "
Maybe he would have thought to call her. Probably not, but maybe. He shakes his head, either way.
"I'd already gotten in touch with them, though. With the, uh ... " He reaches up to touch his ear, rather than finish that statement -- and finally does raise his eyes, his expression puzzled, when he realizes he's not wearing his comm anymore. Turning his head to one side, brow furrowed, he feels for it, mentally, and when he catches the scent of plastic, sweat and blood, somewhere back in the kitchen, he gestures in that direction. Someone must have taken it off him, while he slept, so it wouldn't end up permanently lodged in his ear or -- whatever.
"Stark gave me a direct line to them, when I started working with Barton and Romanoff, and if I ever needed anything. I never bothered to use it, when we weren't working together, until last night."
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"No one was getting you up without medical attention last night," Foggy returns. "But you have a nurse in speed dial. This isn't the first time it's been this bad, is it?"
He doesn't want to know that answer. He really doesn't. Except he needs to.
"And I'm still working on the fact that you have ties to the Avengers and no one actually knows that but you and them." Because seriously. That's one of the most epic parts of this whole thing - and, he's pretty sure, would affect heavily the media portrayal of one or the other. Probably not in the Avengers' favor, admittedly, considering how against the Devil of Hell's Kitchen they are right now.
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"A couple of nights after we got Karen out of lock-up, I went after the Russians. They'd kidnapped this kid -- he couldn't have been more than eight." Not old enough for puberty, not by the way his heart sounded. Just like the Black Sky. Shaking his head, he pushes the thought away. "He wasn't where I thought they'd taken him. It was a set up.
"Claire found me in the dumpster outside of her apartment with the punctured lung I mentioned." Among other things.
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He closes his eyes briefly, tightly. When he opens them again, he fixes his gaze on Foggy as best he can. "It was never about not trusting you with this. It was me trying to protect you from me, from this double life I'm leading. I've seen what happens to people who get to close to it."
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"And I understand you didn't tell me to keep me out of the bad side of it, but." He shakes his head again, slowly. His previous statements stand.
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"Well, now you know." A beat. "And you'll have as much time as you need, to -- to process."
Whether that means he stays away from Foggy until he's got his equilibrium back or answering more questions. Whether it means showing off, now or later, or being more upfront about what he's about to do before he does it, even if, yes, he'd rather Foggy not know everything if only for the sake of plausible deniability. At this point, Foggy has him by the balls and he's willing to go along with it. Whatever he wants, whatever either of them think he's owed, as long as he doesn't lose him in any sense of the word.
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He's trying to joke about it, to get back to some levity - but he's also not entirely joking.
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"But okay. Good."
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When he lowers the cup again, he's silent for a handful of beats, before, slowly, seriously, and with a gesture between them, he starts, "We're gonna be okay, right?"
Foggy continuing to call him his best friend, present tense, helps, sure, but he wants direct assurances if he can get them.
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"Yeah," he answers, finally, when he actually realizes he hasn't. "Of course we will."
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"Okay, good," he says when he raises his head again. "Just -- good."
Yeah, that's all he's got.
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He pauses a beat. "Though if you've got any other skeletons you wanna let out of the closet, now might be a good time." He's teasing, again, and it's more audible this time.
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Foggy's temper, when he's truly angry, can be bad; his is a thousand times worse. He might hide it better, maybe, but it's still a fact and he knows it. He knew it before he started beating the shit out of assholes for a living.
"But no," he continues, part serious, part teasing himself, now, too, "I'm pretty sure this is the only skeleton I had rattling around." Foggy knows everything else about him.
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"But okay," he continues on an exhale. "I'm holding you to that, but. Good to know."
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Either way, he, too, sobers again after a moment and with a breath out. A moment of pause follows, and then, "If there's anything specific you want to know ... "
He can't remember how much he told Foggy last night, everything a little fragmented, between his bouts of unconsciousness and the blood loss. (Hell, he can't remember if he's made this offer already, once, over the course of this conversation, either, though now it's because of the drugs and the emotional ups and downs of this conversation and the one before it, with Clint.) He also doesn't know how much Foggy was told, by someone else, while he was out, and so -- well. Again, if it makes Foggy feel better, if it keeps him from calling him out on something related to all of this, later, claiming he didn't know, he'll talk. And he'll keep making that offer, until Foggy is honestly comfortable with all of this, until he is, with him knowing.
"Offer's open," he finishes, that in mind.
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He's really not thrilled by those gaps in his memory. Still, he lets it go there and nods in response to Foggy, shifting to lean back into the couch. He can wait on him to decide what he wants to ask -- or to decide he'll come back to it later. Either way.
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