Matt Murdock (
aworldonfire) wrote2015-12-05 03:01 pm
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rp | all the hurt that brought me here
It's a miracle, he thinks, that he got away from Nobu, from Fisk. It's a miracle that he made it back to his apartment, as beaten as he is. It's a miracle, but singing the praises of God doesn't follow him much past the door, not because he doesn't want to but because, while he's still alive, still fighting, he's rapidly devolving into hysterical thought thanks to the blood loss, and what he's stricken by, standing in the doorway of the rooftop access, is that he remembers what red looks like, would swear he could see it.
It's in the taste of his own blood in his mouth, after all, the wash of pain in his stomach and chest that rushes over him whenever he draws breath, the smell of metal (not his own, not copper, so much blood, oh, God), clinging to his wounds, where he was stabbed again and again and again. It all permeates as much as Clint's cover's body spray did, the red, making it hard to think, hard to see beyond his absent sight, and he takes a drunken step forward, presses his fingers to the wall that runs alongside the steps that come down into his apartment, hoping it will help, praying for a touchstone. He makes it down a handful of stairs, something like wild optimism rising in his chest, alongside the pain (he can make it, if he can just make it to the phone, make it to Claire), before it all goes to hell.
His foot catches on something, something likely broken by him, by Stick, less than a handful of days ago, and he trips. He hits the remaining steps face-first, so fast it takes him a moment to register what just happened, to grunt, no more winded that he already was (is his lung punctured? he can't tell. it hurts. father forgive him -- both of them), and try to sit up. All he manages is to slide the rest of the way down the steps to the ground and for black to join the red, a memory of tunnel vision closing in on the edges of his mind's eye, as what little he can get from his other senses slips, stutters, unconsciousness creeping up on him. He doesn't try to get up again, after that, just lays there, panting. He doesn't even hear the door opening again above him, practically miles away.
He doesn't know how many minutes pass, him laying there, but eventually and what seems to him suddenly, something occurs to him. He shifts again, not trying to get up this time but to press his shaking fingers to the comm at his ear, always worn, just in case, but rarely used outside of his team ups with Clint and Natasha. It takes him three tries to actually get there, actually find his ear, and when he manages, it takes a moment more of false starts to fight past the black and find the breath for his words. It never occurs to him to think that the Avengers, if they're listening, already know what's going on, if only to a certain degree, that the comms are always transmitting, always receiving, that help may already be on the way.
"Little -- little help here?" he chokes out. "I need help. Please."
The red and black catch up to him, after that, as relentless as he's ever been in the same colors, and he slips into something like twilight.
It's in the taste of his own blood in his mouth, after all, the wash of pain in his stomach and chest that rushes over him whenever he draws breath, the smell of metal (not his own, not copper, so much blood, oh, God), clinging to his wounds, where he was stabbed again and again and again. It all permeates as much as Clint's cover's body spray did, the red, making it hard to think, hard to see beyond his absent sight, and he takes a drunken step forward, presses his fingers to the wall that runs alongside the steps that come down into his apartment, hoping it will help, praying for a touchstone. He makes it down a handful of stairs, something like wild optimism rising in his chest, alongside the pain (he can make it, if he can just make it to the phone, make it to Claire), before it all goes to hell.
His foot catches on something, something likely broken by him, by Stick, less than a handful of days ago, and he trips. He hits the remaining steps face-first, so fast it takes him a moment to register what just happened, to grunt, no more winded that he already was (is his lung punctured? he can't tell. it hurts. father forgive him -- both of them), and try to sit up. All he manages is to slide the rest of the way down the steps to the ground and for black to join the red, a memory of tunnel vision closing in on the edges of his mind's eye, as what little he can get from his other senses slips, stutters, unconsciousness creeping up on him. He doesn't try to get up again, after that, just lays there, panting. He doesn't even hear the door opening again above him, practically miles away.
He doesn't know how many minutes pass, him laying there, but eventually and what seems to him suddenly, something occurs to him. He shifts again, not trying to get up this time but to press his shaking fingers to the comm at his ear, always worn, just in case, but rarely used outside of his team ups with Clint and Natasha. It takes him three tries to actually get there, actually find his ear, and when he manages, it takes a moment more of false starts to fight past the black and find the breath for his words. It never occurs to him to think that the Avengers, if they're listening, already know what's going on, if only to a certain degree, that the comms are always transmitting, always receiving, that help may already be on the way.
"Little -- little help here?" he chokes out. "I need help. Please."
The red and black catch up to him, after that, as relentless as he's ever been in the same colors, and he slips into something like twilight.
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Well, this is not how he expected this to go.
Taking a half-step forward, he opens his mouth to call out to him, to let him know it's just him, only to stop abruptly. It's not that he wants to terrorize his best friend, it's just that the walls here aren't the thickest, and he really doesn't want to say anything that might make anyone outside realize he's here. It would be different, if he came in the front door like a sane person and without the costume, but if anyone saw him drop into Foggy's apartment from the roof, and then hears one of them yelling his name, they might put two and two together, and -- no.
Yeah, this was a terrible idea.
Shaking his head faintly, he exhales a heavy breath through his nose and makes for Foggy's bedroom. If he gets closer, he figures he can at least let Foggy know it's him without shouting it across the room.
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Moving to stand in the doorway, he holds up his hands. "Foggy. Foggy, it's me."
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Another beat, as he actually gets a look at Matt. "What are you wearing and why is it awesome?" No offense, Matt, but your other superhero stuff sucked. Also, he has his priorities, even if Matt did scare him half to death.
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"But, uh. New suit," he continues, as if that isn't obvious. "I stopped by Stark's, earlier, and he had it waiting for me. After what happened -- " He stops there, starts again on a slightly different track. " -- it should hold up better than what I had before."
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"And I promptly test it out by throwing shit at you." He pauses a beat before going on, "It looks like you're less likely to die in that."
He approves, even if he's having trouble getting the sarcasm under control while he's still freaking out a little.
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"But yeah. It's good."
That said, he shrugs, and then, as if it will somehow help Foggy from having a conniption after the fact, reaches up for the catches that hold the mask in place so that he can take it off.
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He's already seen the cowl, but it'll feel less weird to actually be looking at Matt instead of the Devil of Hell's Kitchen or Daredevil or whatever.
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If chasing down one guy on easy mode was almost a problem, he's not sure he's ready to take on a group. He probably would get his ass kicked. Thankfully, he's not actually planning on heading down there, tonight. Tomorrow or the day after might be another story, depending on how he feels then and how much of the restlessness he fought off on the holodeck returns, but for now, he's not that stupid. Current plan that ended in him scaring the shit out of his best friend aside.
"Good to know that I actually look the part now, though," he finishes once he has the cowl off. Passing it off to one hand, he reaches up with the other to rake his fingers through his hair, knowing that he probably has the vigilante equivalent of helmet hair.
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"It's a good look." He pauses a beat. "Not so much your hair right now, but the rest of it."
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Since he's not, however, the best he can do is make a face at him for commenting on the state of his hair and try a little harder to fix it. Even without taking the cowl into account, though, it's like he told Karen when the first met. A lot of his hairstyling revolves around hoping for the best, being able to use a mirror one of the few things honestly beyond him thanks to his lacking sight, so who knows if he'll actually manage to tame it?
"Hazard of the job," he continues, either way.
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But anyway. "So that's better than your old stuff." That's not a question, he's just asking for more assurance that this is going to cut down on the odds of Matt getting hurt as badly the next time. Because he's not fooling himself that there will be a next time.
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On the other hand, he did promise to keep Foggy in the loop.
Letting out a breath, frustrated with feeling caught all at once between a rock and hard place, he steels his jaw, wets his lips with his tongue. Another moment of hesitation follows, and then slowly, he admits, "It's better than my old stuff. It should stop a bullet, assuming I don't get hit point blank, and it will stop a knife. And it's still light enough that I can move around in a hurry."
As Foggy may or may not have noticed when he was throwing things at him.
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"I think I should send Tony Stark a fruit basket," he returns, matter-of-factly, and then tosses his phone onto the bed, finally, and moves away from the corner. "I'm also feeling extra like the sidekick, now, but I am not wearing a cape."
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"Stark wants to use his AI to keep an eye on the both of us," he continues, that in mind. "Karen, too. Nothing too invasive, mostly just keeping tabs on our cell phone GPS, things like that, but -- it means someone will be able to get in touch with you, if something happens, before you find me passed out in my living room, and vice versa."
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He is teasing, now, except that really does sound like something Tony would do, from what he knows of him.
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"I don't think so." Whether or not Foggy's teasing doesn't matter; he honestly doesn't think Tony would go that far. "He -- they've all been pretty good, keeping to how I want to play this."
This, obviously, being how he wants to handle his nightlife, and never mind the fact that he's still pretty sure he's lost that privilege, despite the fact that Tony didn't read him the riot act. He still hasn't had a minute to sit down with Steve yet and for all that he can't remember about the night he fought Nobu, he does recall Steve mention them needing to have A Talk.
"I think it might be a good idea, though," he finishes, regardless.
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"I'll let him know you're in when I get home." He doesn't have his cell phone on him, obviously, but he also went without the earbud, tonight, too. He's not supposed to be out, after all, and he doesn't want JARVIS picking up conversation and wondering why he is.
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Actually, speaking of, "Why were you in, by the way? Showing off the new duds?" Not that he minds Matt being here ever, but, well.
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That said, he takes a step back out of the doorway, slow and measured, putting conscious effort to keep himself from moving like he feels like he should, in costume, and more like Matt Murdock. Foggy may have calmed down, but he doesn't want to unnerve him again -- nor does he want him to start feeling like he's cornering him in the room, hence his moving, finally, in the first place.
"Besides," he continues, if only to give himself something to focus on other than the fact that, while the shock may have faded, he suspects Foggy may still be afraid of him, like this, "I look kind of cool."
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Unfortunately, the look doesn't last long, fading slowly as he tries to decide what to say next. He'd suggest that he and Foggy go sit down in his living room, again a means of making him more comfortable, but that might not be any less awkward. Having a vigilante perched on your couch is no better than having a vigilante not quite looming over you, mask in hand, and -- and realization dawns on his face all at once, thankfully derailing that train of thought, and so abruptly that he cocks his head to one side.
"Hey, Foggy," he starts after another beat or two of silence, "do you still have that box of my stuff that ended up here, when we moved out of the dorms?"
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